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ERIC MICHAELSON LAYOUT - PROGRAM 601
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| June 14-15, 2004 |
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Remind me never to start a trip on a Monday morning. The
Milwaukee airport was just jammed. I have never seen it quite so crowded.
On the plus side, though, United had oversold the flight, and we were bumped
to Midwest, the Best Care in the Air. So,
here we are, in the smoggy haze
of the Los Angeles basin. of the Los Angeles basin. Actually, we are a little outside it, as we are up
in Simi Valley. We arrived early enough to go to the
Reagan Museum and Library. But that was it. The library is just as we saw it
on TV last week. Set on a hilltop, it has a commanding view of the hills and
valleys of the coastal hills here in Southern California. One thing of note
in the operation is a chunk of the Berlin Wall.
This is going to be a long trip – almost three weeks,
with nine segments to shoot. I’m tired, now, but tomorrow it is full tilt as
we start this, the sixth road trip of season six. At least I’m not worried
about rain here in sunny Southern California. Just earthquakes. 
Today dawned a bit hazy, as we got underway to visit the
O gauge layout of Eric Michaelson. He has built a
playroom
out behind his home, and filled it with a layout that features numerous
animated scenes. There is an animated film set, complete with exploding gas
station. A man tries to buy a new car and starts kicking the tires. The
match company makes matches and loads the boxes on a flat car. For all the
rest, you’ll have to wait to see the segment. One really neat item about this
operation was the fact that he fitted both ends of the layout on motorized
lifts that were modified garage door
openers. So you just press a button and the whole end section of the town
rises up for access. I don’t think I have ever seen that before. There
really is a lot of small detail and animation in this operation. Eric likes
to do these little scenes, and said that he actually likes making the
animations more than having the trains run. We finally got the interview
completed right after lunch. This is a departure from our normal manner of
shooting this portion first. The back yard neighbor just had to trim his
bushes about the time we wanted to start this morning, and refused our
requests to hold off for ten minutes.
As Eric said, we only had a day of the guy. He has to live with him all
the time. Eric built the layout building by adding on to a children’s
playhouse. He did it so that it resembles some of the structures you would
find at Disneyland or Knott’s Berry Farm. We managed to finish in mid
afternoon, and bid our farewells. This was a nifty layout, and one that you
have to see numerous times to find all the details. There was always a new
little vignette of people around a campfire, or someone swimming, or
something. One down and eight to go. Tomorrow is a travel day. Later. We
drove down to Hollywood and Rodeo Drive after dinner. Traffic is just
brutal. Even at ten on a Tuesday night, it was heavy. I think I read
someplace that the average commute time in the LA area is something like an
hour and eighteen minutes. I don’t think you could pay me enough to live out
here. The price to pay for constant sunshine is just too high. Plus it takes
forever to get places. |
DELUCIA GARDEN LAYOUT - PROGRAM 613
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| June 17, 2004 |
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Another bright and sunny day dawned. It is
supposed to be slightly cooler, but still in the 90s. We headed off to
Andy DeLucia’s garden layout. Andy lives high in the hills just east
of Sacramento, and has a very nice mountain
layout
in his backyard. There were two features which impacted this layout.
First, Andy’s father-in-law gave him several bonsai trees which were planted
in the back yard. One in fact, is over ninety years old. Then
his son wanted to continue to run trains at times other than Christmas, so a
yard layout was established. Andy has moving water on the layout, and
as he is not to distant from the original California gold strike, will find
gold flecks in the water channels. He jokes that the railroad turned a
profit in its first year. Andy weathered all the cars and engines, and
does an interesting thing with the scratch built buildings. He builds
then in place. He starts with a location, lays down a foundation
consisting of a melamine
board, and then goes to work building walls, platforms, roofs, and all the
other features of the structure. He also is gradually replacing all
the wooden bridges in the layout, as the acid from the oak trees on the
property quickly rot the wood. In fact, redwood will only last about
three years under the onslaught. Of particular note, are the ice
house, and a square water tank, that Andy said took quite a long time to
construct.
As
usual, there are quite a few little details in the scenes. People are
waiting for trains, welding, or just sitting around watching the trains go
by. At one end, men are working on building a bridge. At
another, they are waiting for the train. Andy is an instructor of
photography at a community college, and has used the layout to demonstrate
some great photographic examples.
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WESTERN RAILWAY MUSEUM - PROGRAM 612
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I think that we should always build into our departures a “getting lost”
factor. (These are the days before our trusty GPS). While this
didn’t occur, we certainly thought that we were lost, as we headed out into
the California countryside. The Western Railway Museum turned
out
to be a nice operation outside Suisun (pronounced si-soon’) City. The
visitor’s center was only about four years old, and was designed to look
like an updated version of an interurban terminal. The museum has about 25
restored cars, with an emphasis on streetcars and interurbans that were from
the area, and secondly that were involved in western railroading. Our host,
executive director Phil Kohlmetz, turned out to be a former Illinois native,
who wound up as the head of the museum. He did a nice job on camera, and we
started to work the line. There were plenty of run-bys, with a train going
out each hour on a twenty mile run. They had an assortment of wooden and
metal cars, and a very nice restoration shop. One thing about this line
that that
found
so fascinating was the ferry system. The line is part of the Sacramento
Northern, which in its heyday, ran from Chico down to Oakland. To cross
Suisun Bay, the cars were driven onto a ferry, and then run across the bay.
It took about ten to fifteen minutes, and the passengers never had to leave
the cars. The service ran for about forty seven years. There is nothing
left of the operation now, but some old pilings. It was one of only a
handful of operations of this sort in the United States. The ride runs
through old California fields, and one interesting note was the Shiloh
Church, seemingly in the middle of nothing. The church was built by local
farmers around the turn of the century, who wanted something closer to
attend on Sundays. Another interesting (and annoying) thing was that fact
that we were serenaded all day by C5A’s doing touch and goes at nearby
Travis Air Force Base. Passenger traffic was light today, so we shall
capture more people on the Saturday runs. We concentrated on the cars and
the scenery, as well as the flat artwork. Late in the day, Phil had us stop
at Veronica's, a small old-time corner bar in Birds Landing, which is out in
the middle of nowhere and probably not even on the map. The place looked
like time had bypassed it. We had a quick libation, and headed back to the
motel. We’ll finish this one tomorrow.
We
all had a very grim night last night. None of us slept well. This is not
quite understandable, as the hotel was great, it was quiet, and we were all
pretty tired. I woke up at six, and thought I’d go for a walk to try to
shake off the cobwebs, and promptly fell asleep until 8:30. He headed back
out to the Western Railway Museum to finish off the segment. Today there
would be more passenger traffic, and we could put the operation in the best
frame possible. We shot several more of the streetcars, as opposed to the
interurbans, and got people entering the new visitor’s center and touring
the shops. The museum has a core of about 100 very active volunteers who
spend their time working on the cars, both in restoration duties, and as
motormen and conductors. Plus there was a huge archive of material for
traction in the area.
The
museum has several cars not necessarily native to the area, such as a
Melbourne car, and a Crandic Route car from the Cedar Rapids and Iowa City
line. That was a nice car, with a hint of an art deco look. It would have
been running, but it had a burned out motor. I got to peak into deep
storage, where the museum has the first Western Pacific freight and
passenger steam engines. They will e restored as static displays in the new
car barn, along with period rolling stock. The museum has chosen to
stick specifically with traction, and has thus carved a nice little niche for
itself even though it is so close to the California State Railroad Museum.
Phil and his staff were great to work with, and we generally had an easy time,
once we decided just where to focus the segment. If you are ever in the
Bay area, this museum is worth a look. It is pretty impressive. |
NILES CANYON RAILROAD - PROGRAM 605
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We started the shoot today at the Niles
Canyon Railway. This little steam operation runs through Niles Canyon,
and it
seems
like you are far out in the middle of nowhere, instead of just minutes away
from a million people. The golden hills are spotted with trees, and the
sides fall into the Alameda Creek. The area was used in the early part of
the 20th century for picnics, and during Prohibition, had a few
more interesting things on the area’s agenda. The only
really
bad thing is Niles Canyon Road, which is a twisty, two lane road through the
canyon. And the traffic was ferocious. There are plenty of blind corners
and people just drive to fast. It is a dangerous road, and I was really
uncomfortable running and gunning along this road, as the railroad parallels
the road. We did this shoot backwards from the way we usually do things, as
we had only today to do the actual runbys with the steam locomotive. So we
will do the details and interviews tomorrow. The first run was a bust for
us, as we – uh, well, we lost the train. We waited for it at the bottom of
the hill, and when it didn’t come, we went back up the hill. And we never
saw it. Not a sound, not a glimpse. How we did this is beyond me. It was
as if aliens beamed the darn thing up. It turns out that the train goes
into a couple of cuts, and we just bypassed it. The future runs were much
better. The railroad has a nice little tank engine, and some interesting
pieces in the yards.
One
was a diesel railbus from the Skunk Railroad. They have a couple of center
cab diesels, as well, one of which was used on the run today. There were
quite a few people, with it being Fathers Day. The railroad hauls about
fifty thousand people each year, and has expansion plans to set up a museum
and interpretive center at the west end of the line, in Niles. The video
was fine, but the audio was horrible. The canyon echoed with the traffic,
and practically every motorcycle in the area ran up and down that road. In
retaliation, we ended the day in a hard core biker bar, where we wanted to
demand that all those people buy Gail a beer, just for screwing up her day.
We demurred however, and just kept to ourselves. Right across the street
was the last building still standing from the transcontinental railroad.
The city of Fremont is trying to decide what to do with it. We explored a
bit, and then it was back to the hotel, a light dinner, and finally, email
access. It’s another night on the road – TV and bed.

Another
cool, grey day greeted us at the Niles Canyon Railway shops. And as
predicted, the fog burned off by 11,
and
the rest of the day was sunny. We did the interview with Jack Starr,
President of the Pacific Locomotive Association, in front of their
refurbished Baldwin. John and Gail sprayed the yard, and we headed on down
the line to get some of the pickup shots that we missed yesterday. We took
out the center cab loco and the caboose. I really want to buy and restore a
caboose. I just love those things. All I need is a piece of property large
enough to install it. We did things like the old square telegraph poles,
which are remnants of the original telegraph line for the transcontinental
railroad. We finally located the ranch foundation of a bandito that used to
operate in the area. The bridges have the original construction date burned
into the steel – in the case of the picture, 1906. It is interesting to
note that while the hills all are a golden brown and look so soft and
velvety, they really have grasses that cling and stick in your clothes and
socks. We finished with the railroad and headed over to the Museum on Main
Street in nearby Pleasanton. We shot more
interview,
and some old photos. Everybody at the Niles Canyon Railway was very
helpful, and we couldn’t have gotten the job done without all their
support. So if any of you are reading this, Thank You.
Then
it was head out ahead of the rush to get up to Sacramento. Traffic was
heavy, and what should have been an hour’s drive turned into two hours.
But here we are, in Sacramento. Gail and I went to the Virgin Sturgeon
for dinner. The restaurant is a bit of a Sacramento institution, as it
used to be a hangout for Jerry Brown. Built on a raft in the American
River, it is serviced from shore by a discarded aircraft jet way. John
stayed home and did laundry. We got back and I also did some as well,
and discovered, to my dismay, that I lost a pair of zip off pants. I
have the legs, but not the rest. Damn! Tomorrow we start segment
number five. |
SHIRLEY BURMAN - PROGRAM 604
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We
loaded our gear and drove off into a gorgeous morning. It was in the
low 70’s, with bright blue skies, and fragrant flowers. Our shoot
today is with Shirley Burman, who is the wife of Richard Steinheimer, the
famous railroad photographer. Richard’s health has been failing, and
so he was unavailable for the interview. But Shirley is a photographer
in her own right, and is working on chronicling the story of women in
railroading. The only odd thing about the shoot was that all – and I
mean all – of her images are on the computer. Or at least are in
albums in such a way that they lent themselves to scanning. She had a
new G5 with a fairly high resolution scanner, and so much of the day was
spent either locating images, or scanning things into the machine. We
have about 4 gig worth of visuals to go with the segments, and I hope it is
enough. On the tape side, we shot barely a third of a tape. So
it should be a real joy for both the producer, and for the editors.
Well, this is the digital ages, so some accommodations have to be made.
We ended our day in Grass Valley, high in the foothills of the Sierras.
Property values are still high by Midwestern standards. We went over
to nearby Nevada City for dinner. The town is cute, and definitely
geared for the tourist trade. Now the usual – TV, a book, and bed.
Five down and four to go. |
JIM
FREDRICKSON - PROGRAM 610
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It
was another gorgeous day today. The sky was blue and pines soared to the
heavens. How could anyone not like living here?
We found the Nevada County Narrow Gauge Railroad and Transportation Museum
with little trouble. The railroad is the last remnant of the oldest
railroad in the county, before Nevada achieved statehood. The curator,
Brian Blair, gave us a tour of the nice, new facility. An item of
particular interest was in the back shop, which was a little Porter saddle
tanker. It has
been
refurbished, and was quite a jewel. Brian said that you could purchase this
from a catalogue down in Sacramento, and have it shipped in. There was
probably some assembly required. In actuality, he didn’t know if that was
really true (about the assembly), but, “That’s his story, and he’s sticking
to it.” Stan Kistler and his wife showed up right on time, and we spent a
very pleasant day with everyone. Stan had separated the photographs into
various time periods in his life, and we put them on tape, as well as
scanned in seven CDs worth of images. This may seem like a lot, but really
was only about 45 pictures, as the scan size on each is about 70 Meg. We
bid an adieu to everyone in the mid afternoon, and headed back to Grass
Valley., where we caught up on email at a local cybercafé. Not to shabby to
have Wi-Fi for the price of a vanilla latte! Then we walked down the road
and watched Shrek 2. Gail hadn’t seen it, but John and I were more
than willing to go again. It is hilarious. Off to bed. Tomorrow we leave
California, and headed to Baker City, Oregon, a distance of about 600
miles. It will be a long day. |
SUMPTER VALLEY RAILROAD - PROGRAM 607
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Today was a driving day. We had to run from Grass Valley, California, to
Baker City, Oregon, which according to MapQuest,
should
take us about ten hours. And that is about what it took. We were helped by
the fact that the Western states generally see the light on speed limits,
and even on the two lanes roads, the speed limit was 70. This meant that we
could run at 80 with relative safety. There were people going a lot faster,
though. I commented that the hardest thing for me when I get back to
Wisconsin is to drive slowly again. The scenery was grand. We started high
in the Sierra Mountains, and headed to Truckee, then down to Winnemucca, and
up US95 to near Boise and Baker City. Along the way we were treated to
grand vistas, with sun, spotty distant rain, cloudbursts, and just endless
land. It’s a trip I’d highly recommend. So here we are at a restored
majestic hotel in Baker City. It’s a nicely refurbished Grande Dame, with
chandeliers, and wainscoting. The dining room has a colored glass mosaic
over it. The only hassle for the next couple of days is that there is
supposed to be a bike race. I’ll write more as it develops. But for now, I
plan to finish my book and turn in. Of interest, is the Antlers Hotel. It
is billed as “Absolutely Modern.” Now closed and boarded up, it apparently
has a huge poltergeist problem.
The rain from last night passed, and we were greeted with blue skies and
bright sun. The Sumpter Valley Railway is about thirty miles south of Baker
City, through Boulder Canyon and on a high alpine meadow. It is a remnant
of the Sumpter Valley Line that ran – at its height – from Prairie City to
Baker
City,
hauling first lumber and then gold and pretty much anything else that could
be hauled in the area. The line ceased operation on 1947. In 1971, a group
of volunteers decided to resurrect the line, in an effort at historical
preservation. They located two of the Mikado’s that originally ran on the
line. These were up on the White Pass and Yukon. The White Pass donated
the locos, which were in sad mechanical shape, though with decent boilers,
but the locos had to be gone by a certain time. That accomplished, the
volunteers set about literally rebuilding the railroad. They started at
McEwan Station, and commenced laying narrow gauge track. The line has now
expanded to a five mile run to
Sumpter, modern shops and out buildings, and the addition of the largest
wood fired narrow gauge Heisler geared loco still in operating condition.
The Heisler was the mainstay of the operation, while the Mikado was
restored. That restoration was completed in 1994, and it is now the jewel
of the railroad, hauling about ten thousand passengers each year on summer
weekends. Plans are in place for expansion in both directions for double
track with end loops, to make a dogbone run, and the railroad expects to
have this completed within three years or so. The head depot agent, Taylor
Rush, did a very nice standup. It turns out he is only 19, and has been a
volunteer since he was 12. The railroad has a policy f letting younger
people in, and getting them into great activities early on. In this way,
they have managed to capture and hold onto the younger people who can do so
much for an organization. So the plum jobs don’t necessarily go to the
seniors. They go to the best people, regardless of age. One of the really
cool things was that all of us got some stick time. I have run diesels
before, but never a steam loco. Now I can say I’ve run both. It was very
neat. Very. It was a long day, and we are again back at the hotel.
Tomorrow should be runbys and people. The volunteers went out of their way
to help us out. It’s a nice operation, and definitely should be added to
your travel plans if you want to see steam in action in Eastern Oregon.
Oh. But bring mosquito repellent. The dredge ponds are a perfect breeding
grounds, and the little critters are nasty!

Saturday found us once again at the
Sumpter
Valley Railroad. These people really get a lot of credit, as they have
built a very nice operation from literally nothing. It would be fun to be a
part of such an endeavor. We rode the rain, and got shots of people, on the
crowded first train, and then stayed in Sumpter for the duration of the
passenger stay. While there, we looked in on the gold dredge that had torn
up the valley. It is really terrible what this monstrosity did to the
valley, all in the name if gold. It was a digging machine and sluice box,
all in one, and worked its way across the valley floor, pulling out gold,
and leaving piles of gravel in its wake. Those piles are still
evident
today, almost a century later. I’m not a tree hugger, but this thing was
pretty bad in my mind. It was on the order of the pressure mining that
sliced through the landscape. But we did a number of runbys, and then said
our goodbyes to a great group at the Sumpter Valley Railway. We then faced
a five hour drive to Portland. It turned out to be a lot easier than I
thought, and we just drilled along I84, arriving about 8 PM. The views
along the Columbia River Gorge, and as you come across Deadman’s Pass are
just breathtaking. So here we are in the heart of Portland, start segment
number eight on this trip. |
PORTLAND ZOO - PROGRAM 609
|
We are all very tired. I was just freezing this
morning. Perhaps I am coming down with a cold. I definitely need some
uninterrupted rest. We located that Washington Park Zoo with no trouble,
and were greeted by our contact, Carissa Raleigh. She showed us around and
introduced us to the train crews, including Jeff Honeyman, who will be our
on camera spokesman. We decided not to shoot him until
tomorrow,
and instead concentrated on the packed train rides, and number of people in
the place. It was a beautiful day, and people turned out in droves. In
fact, as I write this, I just want to be alone with some quiet. It really
was rather nerve wracking. But about the trains. The Zoo has three train
sets – The Zoolander, which is a 30 inch gauge duplicate of the GM AeroTrain,
a very nice steamer, and a boxy diesel,
The
Oregonian. The steamer and the Zoolander were custom built for the zoo,
back in the 1950s. The reason for the AeroTrain look was that a survey was
taken of school kids, and they had all just seen the General Motors foray
into the world of lightweight railroading. The windscreen, was in fact,
from a Buick. The story of the railroad is rather interesting, as it sort
of became the tail that wagged the dog. In the 1950s, the city wanted a new
zoo. And at that time, zoos were more of an amusement attraction than an
animal preservation organization.
The
directors of the zoo were railroad buffs, and decided to include a 30 inch
gauge railroad within the area of Washington Park. The first line was the
“Zoo Loop” but this was expanded to run into the woods to connect the Rose
Garden. Bids were let for equipment, and the Zooliner was the first train
on the twisty, curvy line through the woods, followed soon by The Steamer.
Both locos were constructed for around $19,000 each, a bargain even then.
The Board invited all the important people of the time to be on the BOD. So
there are letters of acceptance from the likes of Harry Truman, Walt Disney,
J. Edgar Hoover, and many other notables. It was fun thing, with “stock”
shares sold a $1 which allowed two rides at the Oregon Centennial. Fifty
thousand “shares” were sold. Speaking of the Rose Garden, it was jammed.
With the weather being so nice, there were a lot of people. Carissa said
that people get sucked into this kind of weather, move out to Portland, and
then realize that just like Seattle, it rains most of the year. We did
runbys until late in the afternoon, and then headed back to the hotel. We
had dinner at the Portland Grill, which was on the 30th floor of
the US BanCorp Building. The views were spectacular. And the food was good
was well. We are all tired, and going to bed. On another note, I turned on
the TV this morning and found the news anchor to be a guy we used to work
with. Maybe we can hook up.
We started the day early today, so that we could get a little less light on
the Rose Garden. The place is really beautiful,
with many different varieties laid out in a large, pleasant garden that
overlooks the city and both Mt. Hood and St. Helens. We tried to get into
the Japanese Tea Garden, but the cultural group that ran it was unwilling to
give us a half hour to shoot some general material without a lot of prior
notification, so we shot a little bit from a public area, and will write
them out of the script. Their loss for a great deal of free, perpetual
publicity. Then it was back to the museum for Jeff Honeyman’s standup. He
did well, gave complete, cogent answers, and we completed the A roll. Then
it was to try to find animals that were awake. And there were a lot of
them. Except
for
the grizzly, who was doing what I like to do in the sun – take a nap. But
the polar bears were active a playing, and the wolves were very friendly to
one of the zoo keepers, who got them to howl for us. We shot the RPO
portion back at the station. In a portion of the segment, a little girl was
supposed to mail a card by putting it into the mail slot on the Zooliner.
Gail had a card to mail but it turned out the thing was too wide to go into
the slot. Who would have thought? The Zoo train crew set us up on the tail
end of the Oregon Express, and ran the Steamer behind us. It was a little
hairy, as we had to be careful to stay out of the way of the steamer
coasting on the downgrades, the work to stay ahead of it on the upgrades.
The
steamer has a great bark. It sounded really great. We managed to get
everything together,
and
said our goodbyes to the Zoo employees. Their help and hospitality was much
appreciated. We then hustled around looking for some open high shots of
the town, and ended up on the mountain with some high priced homes. The
houses are great, and sometimes go down four stories in the back. Very
impressive. But I wonder how long one has to live here before you aren’t
lost? Everything twists and turns and is so hidden that I got disoriented
very quickly. Perhaps a navigation device is a necessity. So this segment
is complete. Tomorrow we run up to Tacoma for the final segment of this
road trip. |
PUGET SOUND MODEL RAILROAD CLUB - PROGRAM 607
|
Today was a travel day. We did a late start, and headed up the road to
Seattle, for our next and final subject of this trip, the Puget Sound Model
Railroad Club. I really didn’t have any directions, but had talked to my
brother, is acquainted with
the
Director of the Washington State Historical Society. The MapQuest
directions put me in Olympia, which I though to be strange, as the club is
in Tacoma. But we dutifully stopped, to find that we were at the wrong
museum. The correct one was indeed, in Tacoma. So we ran another thirty
miles up the road, and found the place. It is right across the street from
the Chuhuly Glass works. We scoped it out, and pre-surveyed for tomorrows
shoot. The club has recreated the Seattle Tacoma area of the 1950s, right
up through Stampede Pass. It is a double decked operation, with a third,
lower deck for staging yards. So we surveyed, talked to security, and
generally hope to look like
we know what we are doing tomorrow. Then we again followed our MapQuest
directions to the hotel in Renton. Except that the directions dumped us in
north downtown Seattle, near the Seattle Center and the EMP. If you know
the area, this is a long way from Renton. So thank goodness for cell
phones. We called the hotel and got talked in to the place, which is down
close to Burien at the south split of I-5 and I-405. We will do an early
start tomorrow, to get the interview completed prior to the opening of the
museum. My mother and brother drove over to have dinner with me, and then
it is off to watch the latest installment of Nip/Tuck, and head for bed.
We were up early and headed down to Tacoma, to the
Puget Sound Model Railroad Club. Located right next to the old
Union
Station, this is a display within the Washington State History Museum. The
club has between forty to fifty members, and they have modeled the run
between the Asarco Smelter in Tacoma and Stampede Pass. They run as a real
railroad, with fast time clock, printed schedules, and a dispatching
system. There are many interesting vignettes on the display. The group has
made extensive use of fake fur for ground cover, and has modeled many
buildings with the interior cut away and backed by a plexiglass shield on
the layout perimeter. They have also used DCC extensively, and have cut the
massive amount of wire found in a layout, down to some very simple
circuitry. Turnouts, as well as engines, are DCC controlled and
addressable. All the power comes from the track, and virtually nothing
else. The museum buys some of the engines and rolling stock, but the
members have to donate a certain amount to the club. The time period is the
1950’s, and there are four railroads operating here – the Northern
Pacific,
the Great Northern, the Union Pacific, and the Milwaukee Road. So you get
to see all the great Northwest trains – the Main Streeter, the North Coast
Limited, and the Columbia Express. In addition to being an operating
layout, there is also an automatic blocking and control system. Museum
visitors can get four trains running on the layout, all at the push of a
button. We finished the layout detail, and ended up having a longer day
than we thought we would. The audio is going to be a problem, as there is
so much ambient noise from the museum exhibits that it is impossible to
really get good sound. So we are going back tomorrow for sound, and a few
short items. Meanwhile, it is the usual, dinner, bed, movie, book.

The day dawned grey today. We ran back down to Tacoma, and the final bits
of the Puget Sound Model Railroad Club. The club members all were waiting
for us, and we immediately finished the two standup interviews. The first
was with Joe Lecher, the electrical engineer responsible for cutting down
the bulk of the layout. He developed an addressable control that attaches
to the switch machines, and allows command control of the units, along with
the trains themselves. This alone cut most of the wiring, as all that had
to be run was power. The second sound bite was with David Nicandri, the
Director of the Washington State Historical Society. He indicated that the
layout always ranks in the top five reasons that people come to the museum.
We then did some clean audio, and a dispatch session, that looked to be a
lot of fun. We finished what we needed by mid day, and headed back up to
Seattle. The freeway was once again jammed. Every time I come out this way
I’m struck by the growth of the region, and how the freeway has been unable
to keep up with the increased load. No increase in the number of diamond
lanes is ever going to alleviate the traffic. We packed a few boxes to ship
home, and headed back to the motel. We are anxious to get home. This has
been a long trip.

The Seattle airport was the usual madhouse at 7 AM. This was not helped by
the holiday crowds, and the security lines were lengthy. Of course, in the
“get a clue” department, there was the young man who had multiple piercings,
and a locked chain around his neck, that his girl friend had given him a
token of affection. And then she kept the key. He was really getting a
close look by the security screeners. My seat assignments on United were
the tightest I have ever seen. Everyone in my row was complaining, but the
flight attendants could do nothing. I however, road warrior that I am, was
prepared with my handy Knee Defenders. These are little plastic blocks that
slip on the arms of your tray table and prevent the person in front of you
from reclining their seat. I felt their use was called for. And sure
enough. While the woman next to me had a face full of seat from the person
in front of her, I at least had the maximum amount of the minimum space
allocated. And these things are FAA approved. As usual, out of SeaTac, we
were late. Which made for a tight connection in O’Hare. In all the times
I’ve flown out of the Seattle, I’ve had one on time flight. But we are
home, and resting. We leave again in a week. |
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